On the other hand, the RCA 77-DX Ribbon microphone had a cool vintage sound, but it was not the proper microphone for this application it was not used in the final mix at all.
This was the best sounding placement and ended up being 90% of the sound of the final product. The three microphones closest to the crotales were a stereo pair of Sennheiser MKH 40-P48 condenser microphones. I used seven microphones to record the crotales and placed them all around the room to capture different aspects of the sound as it reverberated through the space. I was fortunate to acquire time in that space because of the positive acoustical qualities the room possesses, as well as a large selection of microphones. To record the samples for my crotale library, I borrowed the school’s set of crotales and set up my laptop with an audio interface in the Performing Arts Center Pavilion. There are four steps: recording, mixing, scripting, and UI design. By following these instructions, you can create your own sample-based virtual instrument in Kontakt 5.
I will detail the process in which I achieved success in this project.
Programs NeededĪ Digital Audio Workstation (DAW) of your choice Topics such as recording, microphone placement, and mixing will be addressed as well as elements of design in Adobe Photoshop, and computer scripting in the language of the computer program Komplete 5 by Native Instruments. This article will discuss the process of creating a digital sample based library for musical applications.
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